Wednesday, March 26, 2008
Abhijeet
Birthplace: Kanpur
Profession: Playback Singer, Bollywood.
Abhijeet was born as Abhijeet Bhattacharya, in a middle-class Bengali family from Kanpur (UP). His parents were against his singing but Abhijeet went against his parent’s wishes to become a singer.In Kanpur his family members were all musical, and educated professionals. Money was never a contextual concern.In Kanpur education and culture was all his family courted, leisure was driving around the tree-lined lanes on bicycles.Confident and feted for his success,today the star-singer lives in a Bollywood dream bungalow (named Sunny vistas ) of white façade and red-tiled roof.
He was the apple of the community eye for his singing talents and Pampered and cosseted by a fond family.Abhijeet was the youngest of four brothers. He came to Mumbai in 1981 to study Chartered Accountancy. But owing to his fascination for singing and music he decided to pursue a career in playback singing .Despite being gifted with a melodious voice, he had to struggle for a very long time . But fate had to wait for success.
During his struggle period due to economic constraints Abhijeet had to reside in tiny rooms and stingy guesthouses. He returned to Kanpur but each time was drawn to the magnetism of Mumbai with a dream to be fulfilled.He was packing his bags after a long struggle in Bombay when he received a call from R.D. Burman to sing for Dev Anands sons debut film. Abhijeet also got to sing with Kishore Kumar, his idol, in the same film. It all happened to Abhijeet as he received a new lease of life when music director Ravindra Jain, gave him an offer to live with him. It was during his stay with Ravindra that Abhijeet's proximity to Bollywood grew in a phased and gradual manner. He began visiting R.D. Burman’s residence and started getting frequent opportunities to sing for stage shows. Abhijeet got opportunities to sing as a chorus singer for music directors Rajesh Roshan and Jagjit Singh.
It was R.D. Burman who acted like a mentor to Abhijeet and gave him his first break as a playback singer in Dev Anand’s Anand Aur Anand . The song was ‘Waadon ki shaam aayi, yaaron ke naam aayi’. But the film flopped and he was struggling to find work again. For quite a few years after that he resorted to singing cover versions of Kishore Kumar hits.
In the 1990's he got his due rewards when the songs of Baaghi of Anand-Milind, ‘Ek chanchal shokh hasina’, ‘Chandni raat hai’ and ‘Har kasam se badi hai’ were Superhits. Today Abhijeet is one of the top names when it comes to male playback singers. He has entrenched himself firmly in the music world, with several other hits like ‘Ole Ole’ in Yeh Dillagi, the title track of Main Khiladi Tu Anari, ‘Zara sa Jhoom loo main’ Dilwale Dulhaniya Le Jaayenge ‘Teri ankhen jhuki jhuki’ Fareb, ‘Shaher Ki ladki’ Rakshak, ‘Jhanjhriya’ Krishna, ‘Tan tana tan tan tara’ Judwaa. Be it a Sunil Shetty, Anil Kapoor, Akshay Kumar, Saif Ali Khan, or Salman Khan, Shahrukh Khan and now Hrithik Roshan, Abhijeet has sung for them all. He performed for many films like Baaghi, Sadak, Khiladi, Raja Babu, Yeh Dillagi, Yes Boss, Baadshah, Josh and Dhadkan and many more. After his success in playback singing he thought of singing pop. He launched two albums, Main Deewana Hoon and Tapori No.1. But both albums did not click commercially. After these two pop albums, he launched Aashiqui, which was appreciated by audience. Recently he has launched a pop album, Tere Bina, whose songs and video are chartbusters.
He won the Filmfare award for the best singer for his song ‘Chand taare’ in Yes Boss. But some like the ‘Kurta phaadke’ song from Anari No. 1 did not do well but with Baadshah and after that most of the big banner movies and top music composers, the singer has once again hit the top charts.
Abhijeet stresses that our music is also very popular across the border. He openly expresses his discomfort for the Pakistani singers who have made uncharitable remarks about our musicians in the past. He feels that instead of accusing indian music directors of plagiarism , the Pakistani singers should feel honored for the respect they are being given to them ( Nusrat Fateh Ali Khan, Ghulam Ali or Mehndi Hasan ) .
He's an ardent admirer of Anu Malik's indefatigable spirit. He mumbles, "I have seen him in his worst days, that too despite scoring music for biggies like Manmohan Desai and F.C.Mehra. I've never seen anyone come back with such a bang. Anu's really an inspiration for so many of us." And finally he states, "I'm satisfied with whatever I have achieved. I have no complaints. Even if no one calls me to sing, I'll still be happy."
Awards:
Award Song - Movie
Filmfare Award - 1997 Main koi aisa geet gaon - Yes Boss
MTV Asia Awards 'Achievement Award' - 2004
Best Of Abhijeet:
Song Movie
Main Hoon Na (sad) Main Hoon Na
Tumhein jo dekha Main Hoon Na
Chalte Chalte Chalte Chalte
Suno Na Suno Na Chalte Chalte
Hum Nahin Tere Dushmano Mein Hungama
Raat Ka Nasha Abhi Asoka
Roshni se bhare bhare Asoka
Chidiya Tu Hoti To Nayak
Tum Agar Saamne Raaz
Pyaar Se Pyaar Hum Raaz
Ek Kunwaara Masti
Profession: Playback Singer, Bollywood.
Abhijeet was born as Abhijeet Bhattacharya, in a middle-class Bengali family from Kanpur (UP). His parents were against his singing but Abhijeet went against his parent’s wishes to become a singer.In Kanpur his family members were all musical, and educated professionals. Money was never a contextual concern.In Kanpur education and culture was all his family courted, leisure was driving around the tree-lined lanes on bicycles.Confident and feted for his success,today the star-singer lives in a Bollywood dream bungalow (named Sunny vistas ) of white façade and red-tiled roof.
He was the apple of the community eye for his singing talents and Pampered and cosseted by a fond family.Abhijeet was the youngest of four brothers. He came to Mumbai in 1981 to study Chartered Accountancy. But owing to his fascination for singing and music he decided to pursue a career in playback singing .Despite being gifted with a melodious voice, he had to struggle for a very long time . But fate had to wait for success.
During his struggle period due to economic constraints Abhijeet had to reside in tiny rooms and stingy guesthouses. He returned to Kanpur but each time was drawn to the magnetism of Mumbai with a dream to be fulfilled.He was packing his bags after a long struggle in Bombay when he received a call from R.D. Burman to sing for Dev Anands sons debut film. Abhijeet also got to sing with Kishore Kumar, his idol, in the same film. It all happened to Abhijeet as he received a new lease of life when music director Ravindra Jain, gave him an offer to live with him. It was during his stay with Ravindra that Abhijeet's proximity to Bollywood grew in a phased and gradual manner. He began visiting R.D. Burman’s residence and started getting frequent opportunities to sing for stage shows. Abhijeet got opportunities to sing as a chorus singer for music directors Rajesh Roshan and Jagjit Singh.
It was R.D. Burman who acted like a mentor to Abhijeet and gave him his first break as a playback singer in Dev Anand’s Anand Aur Anand . The song was ‘Waadon ki shaam aayi, yaaron ke naam aayi’. But the film flopped and he was struggling to find work again. For quite a few years after that he resorted to singing cover versions of Kishore Kumar hits.
In the 1990's he got his due rewards when the songs of Baaghi of Anand-Milind, ‘Ek chanchal shokh hasina’, ‘Chandni raat hai’ and ‘Har kasam se badi hai’ were Superhits. Today Abhijeet is one of the top names when it comes to male playback singers. He has entrenched himself firmly in the music world, with several other hits like ‘Ole Ole’ in Yeh Dillagi, the title track of Main Khiladi Tu Anari, ‘Zara sa Jhoom loo main’ Dilwale Dulhaniya Le Jaayenge ‘Teri ankhen jhuki jhuki’ Fareb, ‘Shaher Ki ladki’ Rakshak, ‘Jhanjhriya’ Krishna, ‘Tan tana tan tan tara’ Judwaa. Be it a Sunil Shetty, Anil Kapoor, Akshay Kumar, Saif Ali Khan, or Salman Khan, Shahrukh Khan and now Hrithik Roshan, Abhijeet has sung for them all. He performed for many films like Baaghi, Sadak, Khiladi, Raja Babu, Yeh Dillagi, Yes Boss, Baadshah, Josh and Dhadkan and many more. After his success in playback singing he thought of singing pop. He launched two albums, Main Deewana Hoon and Tapori No.1. But both albums did not click commercially. After these two pop albums, he launched Aashiqui, which was appreciated by audience. Recently he has launched a pop album, Tere Bina, whose songs and video are chartbusters.
He won the Filmfare award for the best singer for his song ‘Chand taare’ in Yes Boss. But some like the ‘Kurta phaadke’ song from Anari No. 1 did not do well but with Baadshah and after that most of the big banner movies and top music composers, the singer has once again hit the top charts.
Abhijeet stresses that our music is also very popular across the border. He openly expresses his discomfort for the Pakistani singers who have made uncharitable remarks about our musicians in the past. He feels that instead of accusing indian music directors of plagiarism , the Pakistani singers should feel honored for the respect they are being given to them ( Nusrat Fateh Ali Khan, Ghulam Ali or Mehndi Hasan ) .
He's an ardent admirer of Anu Malik's indefatigable spirit. He mumbles, "I have seen him in his worst days, that too despite scoring music for biggies like Manmohan Desai and F.C.Mehra. I've never seen anyone come back with such a bang. Anu's really an inspiration for so many of us." And finally he states, "I'm satisfied with whatever I have achieved. I have no complaints. Even if no one calls me to sing, I'll still be happy."
Awards:
Award Song - Movie
Filmfare Award - 1997 Main koi aisa geet gaon - Yes Boss
MTV Asia Awards 'Achievement Award' - 2004
Best Of Abhijeet:
Song Movie
Main Hoon Na (sad) Main Hoon Na
Tumhein jo dekha Main Hoon Na
Chalte Chalte Chalte Chalte
Suno Na Suno Na Chalte Chalte
Hum Nahin Tere Dushmano Mein Hungama
Raat Ka Nasha Abhi Asoka
Roshni se bhare bhare Asoka
Chidiya Tu Hoti To Nayak
Tum Agar Saamne Raaz
Pyaar Se Pyaar Hum Raaz
Ek Kunwaara Masti
Sonu Nigam
Sonu Nigam (born July 30, 1973) is a Bollywood film singer, born in Haryana, India. He modelled his singing style after Mohammad Rafi.
Nigam's first major song was Acchha Sila Diya Mere from the movie Bewafaa Sanam. His big break came in 1997 with the film Border, directed by J.P. Dutta. The film was scored by Anu Malik and the lyrics were written by Javed Akhtar. Nigam's duet with Roop Kumar Rathod, Ke Ghar Kab Aaoge, is especially memorable. He tried his hand at acting as well, but all movies in which he acted flopped.
Since then, Nigam has sung in many Bollywood movies. He also sings duets with fellow Bollywood playback singers Alka Yagnik and Udit Narayan. In addition to his playback work, Nigam also enjoys a successful Indipop career, and has released several albums. In June 2005, Sonu announced that he will not be living with his wife, Madhurima, any more. During a concert in Kabul, Afghanistan on July 20, 2005, his concert stage collapsed but Nigam was left with only a back strain. Since 2004 he has participated as a judge in Indian Idol, further endearing him to the Indian masses.
His songs in Super Star Rajesh Khanna movie :
Aa Ab Laut Chalen 1999
Kumar Sanu
Birth: September 23,1957
Birthplace: Calcutta
Profession: Playback Singer, Bollywood.
Kumar Sanu was born Kedernath Bhattacharjee on September 23 1957 and grew up in Calcutta; his father Pashupati Bhattacharjee was an accomplished classical vocalist and composer, and saw to his son's early musical training as a singer and tabla player. Getting a degree in commerce from Calcutta University, Sanu began performing publicly in 1979, singing at shows and restaurants around Calcutta in a style heavily influenced -- copied, some charged -- from film legend Kishore Kumar. Competition for singers in the Indian film industry was (and still is) extremely fierce, since it is the primary route to success in India, and it took Sanu several years to land his big break. He made his living in the early '80s partly by recording a series of Kishore Kumar covers for a pop label, but remained unable to make inroads into film. Finally, in 1987, music director Jagjit Singh -- noted for his mastery of the romantic ghazal song form -- offered Sanu the chance to sing in the Hindi film Andhiyan , Music Director: Ghazal King, Jagjit Singh.
Sanu relocated to Bombay, the capital of the Indian film industry, and soon landed another film, Jadoogar, helmed by the Kalyanji/Anandji team; they gave Sanu his stage name, partly to give him wider appeal outside of a strictly Bengali audience, and partly because of the heavy influence of his idol. Film fans began to take notice, poising Sanu for a major breakthrough. That breakthrough came in 1990 with the film Aashiqui, whose soundtrack was composed and directed by the Nadeem/Shravan team. Sanu sang all but one of the songs featured on the soundtrack album, which made him a star; he won the first of his record five consecutive Filmfare awards as Best Male Playback Singer, and began recording new material at a furious pace. He won Filmfares for his performances in Saajan, Deewana, Baazigar, and 1942: A Love Story (in order, up through 1994), but his work extended much farther, so much so that by the end of the decade he had recorded -- in many different languages -- for literally hundreds of films.
As the '90s waned, Sanu slowed his amazing recording schedule a bit, feeling that he'd proven enough to become more selective in choosing his material (he preferred classic-style songs to newer, more Western-influenced pop). Seeking new challenges, he branched out into acting, appearing in a Bengali film and starting television serials in both Bengali and Hindi. He also became more comfortable with concert performances and embarked on frequent international tours. By the turn of the millennium, Sanu had promised to follow in fellow record-holder Lata Mangeshkar's footsteps by not accepting any further Filmfare awards (in order to make room for new talent), but the hits kept on coming through 1999 and 2000, and he continued to rival Udit Narayan as the most popular male singer in India. Kumar Sanu was one of the many aspiring singers to have made the mandatory rounds of music director’s offices in his struggling days. He also was part of orchestra groups where he sung hit songs of Kishore Kumar. So the story of Sanu being a Kishore Kumar clone took root here.
Aashiqui set the ball rolling for Kumar Sanu. Aashiqui was a major turning point for Sanu. He sang all but one of the songs in the superb album composed by Nadeem-Shravan. Sanu rendered the title song, ‘Tu meri zindagi hain ‘Nazar ke saamne’, ‘Jaane jigar jaaneman’, ‘Dheere, dheere se meri Zindagi mein aana’, superbly. He went on to sing hit songs in films like Sadak (‘Tujhe apna bana ne ki kasam khayi hai’), Deewana (The title song), Baazigar (Title song) (‘Kali kali ankhen), Saajan (‘Jeeye to jeeye kaise) (‘Mera dil bhi kitna pagal hai’), 1942 A Love Story (‘Rim jhim’, ‘Ek ladki ko dekha’, ‘Kuch na kahon’), Dilwale Dulhaniya Le Jaayenge, (‘Tujhe dekha to yeh jaana sanam’), Pardes (‘Meri Mehbooba’, ‘Do dil mil rahe hain’), Kareeb ‘Chori chori’ and others.
One of the most prolific singers ever to work in the Indian film industry, Kumar Sanu's recorded output numbers in the thousands of songs, reaching by his estimation over 8,000 by the turn of the millennium. Sanu broke the Guinness world record for the largest number of songs recorded in a single day, with 28 -- a testament not only to his polished technique, but to his unparalleled ability to quickly and effortlessly master unfamiliar material in the studio. Sanu also holds the record (along with Lata Mangeshkar on the female side) for the longest string of consecutive Filmfare awards for Best Playback Singer (the equivalent of an Oscar and perhaps the most coveted musical award in India) with five, a streak that made him arguably the most popular male vocalist in India during the '90s.His recent hits include Humraaz, Yeh Dil Aapka Huwa (Pakistan), Karz, Dil Ka Rishta, Indian Babu, Ishq Vishk, Andaaz, Qayamat, Hungama, Footpath. Many albums are yet to come.
Awards And Honors:
Award Song - Movie
FilmFare Award 1990 Ab Tere Bin Jeelenge - Aashiqui
FilmFare Award 1991 'Mera dil bhi kitna pagal hai' - Saajan
FilmFare Award 1992 Sochenge Tumhe Pyaar Karein Ke Nahin - Deewana
FilmFare Award 1993 Yeh Kaali Kaali Aakhen - Baazigar
FilmFare Award 1994 Ek ladki ko dekha to aisa laga - 1942 A Love story
Other Awards:
Screen Award - 1994 Ek ladki ko dekha to aisa laga - 1942 A Love story
Channel V Award - 1995 'Tujhe dekha to yeh janam sanam' - Dilwale Dulhannia Le Jaayenge
Punjabi Kalirangan Award - 1997,1998
Grammy W. Indian - 1998
Lions' Club Gold Award - 1998 'Ladki badi anjani hai' - Kuch Kuch Hota Hai
CSR Gold Award - 1999 'Aankhon ki gustakhiyaan' - Hum Dil De Chuke Sanam
Cine Award - Kalakar Award - 1999 'Aankhon ki gustakhiyaan' - Hum Dil De Chuke Sanam
Zee - Gold Bollywood Award - 1999 'Aankhon ki gustakhiyaan' - Hum Dil De Chuke Sanam
Stardust Award - 1999 'Aankhon ki gustakhiyaan' - Hum Dil De Chuke Sanam
Mohammed Rafi Memorial Award - 1999
Kalashree Award - 2000 'Chaand sitare' - Kaho Na Pyaar hai
Bollywood Music Award 'Artist of the Decade' - 2003
'Global Excellence Award' - 2004
Best Of Kumar Sanu:
Song Movie
Nazar Ke Saamne Jigar ke paas Aashiqui
Aankhon Se Toone Ghulam
Honton pe bas tera naam hai Yeh Dillagi
Chori chori jab nazarein mili Kareeb
Woh Ladki Bahut Yaad Aati Hai Qayamat
Tu pyaar hai kisi aur ka Dil Hai Ke Manta Nahin
Seene Mein Dil Hai Raju Ban Gaya Gentleman
Sanam Mere Humraaz Humraaz
Do Dil Mil Rahe Hain Pardes
Teri Umeed Tera Intezaar Deewana
Yeh dil kya kare Kaante
Aane Waala Kal Ek Sapna Phir Teri Kahaani Yaad Aayi
Tu Mile Dil Khile Criminal
Chaaha To Bahut Imtihaan
Jab koi baat bigad jaaye Jurm
Neend Churaayi Meri Ishq
Rimjim rimjim 1942 A Love Story
Tujhe Dekha Dilwale Dulhaniya Le Jayenge
Ek ladki ko dekha 1942 A Love Story
Tumhe Apna Banaane Ki Kasam Sadak
Der Se Hua Hum Ho Gaye Aap Ke
Aankh Hai Bhari Bhari Tum Se Achcha Kaun Hain
HIS SONGS IN SUPER STAR RAJESH KHANNA MOVIE :
Aa Ab Laut Chalen 1999
Birthplace: Calcutta
Profession: Playback Singer, Bollywood.
Kumar Sanu was born Kedernath Bhattacharjee on September 23 1957 and grew up in Calcutta; his father Pashupati Bhattacharjee was an accomplished classical vocalist and composer, and saw to his son's early musical training as a singer and tabla player. Getting a degree in commerce from Calcutta University, Sanu began performing publicly in 1979, singing at shows and restaurants around Calcutta in a style heavily influenced -- copied, some charged -- from film legend Kishore Kumar. Competition for singers in the Indian film industry was (and still is) extremely fierce, since it is the primary route to success in India, and it took Sanu several years to land his big break. He made his living in the early '80s partly by recording a series of Kishore Kumar covers for a pop label, but remained unable to make inroads into film. Finally, in 1987, music director Jagjit Singh -- noted for his mastery of the romantic ghazal song form -- offered Sanu the chance to sing in the Hindi film Andhiyan , Music Director: Ghazal King, Jagjit Singh.
Sanu relocated to Bombay, the capital of the Indian film industry, and soon landed another film, Jadoogar, helmed by the Kalyanji/Anandji team; they gave Sanu his stage name, partly to give him wider appeal outside of a strictly Bengali audience, and partly because of the heavy influence of his idol. Film fans began to take notice, poising Sanu for a major breakthrough. That breakthrough came in 1990 with the film Aashiqui, whose soundtrack was composed and directed by the Nadeem/Shravan team. Sanu sang all but one of the songs featured on the soundtrack album, which made him a star; he won the first of his record five consecutive Filmfare awards as Best Male Playback Singer, and began recording new material at a furious pace. He won Filmfares for his performances in Saajan, Deewana, Baazigar, and 1942: A Love Story (in order, up through 1994), but his work extended much farther, so much so that by the end of the decade he had recorded -- in many different languages -- for literally hundreds of films.
As the '90s waned, Sanu slowed his amazing recording schedule a bit, feeling that he'd proven enough to become more selective in choosing his material (he preferred classic-style songs to newer, more Western-influenced pop). Seeking new challenges, he branched out into acting, appearing in a Bengali film and starting television serials in both Bengali and Hindi. He also became more comfortable with concert performances and embarked on frequent international tours. By the turn of the millennium, Sanu had promised to follow in fellow record-holder Lata Mangeshkar's footsteps by not accepting any further Filmfare awards (in order to make room for new talent), but the hits kept on coming through 1999 and 2000, and he continued to rival Udit Narayan as the most popular male singer in India. Kumar Sanu was one of the many aspiring singers to have made the mandatory rounds of music director’s offices in his struggling days. He also was part of orchestra groups where he sung hit songs of Kishore Kumar. So the story of Sanu being a Kishore Kumar clone took root here.
Aashiqui set the ball rolling for Kumar Sanu. Aashiqui was a major turning point for Sanu. He sang all but one of the songs in the superb album composed by Nadeem-Shravan. Sanu rendered the title song, ‘Tu meri zindagi hain ‘Nazar ke saamne’, ‘Jaane jigar jaaneman’, ‘Dheere, dheere se meri Zindagi mein aana’, superbly. He went on to sing hit songs in films like Sadak (‘Tujhe apna bana ne ki kasam khayi hai’), Deewana (The title song), Baazigar (Title song) (‘Kali kali ankhen), Saajan (‘Jeeye to jeeye kaise) (‘Mera dil bhi kitna pagal hai’), 1942 A Love Story (‘Rim jhim’, ‘Ek ladki ko dekha’, ‘Kuch na kahon’), Dilwale Dulhaniya Le Jaayenge, (‘Tujhe dekha to yeh jaana sanam’), Pardes (‘Meri Mehbooba’, ‘Do dil mil rahe hain’), Kareeb ‘Chori chori’ and others.
One of the most prolific singers ever to work in the Indian film industry, Kumar Sanu's recorded output numbers in the thousands of songs, reaching by his estimation over 8,000 by the turn of the millennium. Sanu broke the Guinness world record for the largest number of songs recorded in a single day, with 28 -- a testament not only to his polished technique, but to his unparalleled ability to quickly and effortlessly master unfamiliar material in the studio. Sanu also holds the record (along with Lata Mangeshkar on the female side) for the longest string of consecutive Filmfare awards for Best Playback Singer (the equivalent of an Oscar and perhaps the most coveted musical award in India) with five, a streak that made him arguably the most popular male vocalist in India during the '90s.His recent hits include Humraaz, Yeh Dil Aapka Huwa (Pakistan), Karz, Dil Ka Rishta, Indian Babu, Ishq Vishk, Andaaz, Qayamat, Hungama, Footpath. Many albums are yet to come.
Awards And Honors:
Award Song - Movie
FilmFare Award 1990 Ab Tere Bin Jeelenge - Aashiqui
FilmFare Award 1991 'Mera dil bhi kitna pagal hai' - Saajan
FilmFare Award 1992 Sochenge Tumhe Pyaar Karein Ke Nahin - Deewana
FilmFare Award 1993 Yeh Kaali Kaali Aakhen - Baazigar
FilmFare Award 1994 Ek ladki ko dekha to aisa laga - 1942 A Love story
Other Awards:
Screen Award - 1994 Ek ladki ko dekha to aisa laga - 1942 A Love story
Channel V Award - 1995 'Tujhe dekha to yeh janam sanam' - Dilwale Dulhannia Le Jaayenge
Punjabi Kalirangan Award - 1997,1998
Grammy W. Indian - 1998
Lions' Club Gold Award - 1998 'Ladki badi anjani hai' - Kuch Kuch Hota Hai
CSR Gold Award - 1999 'Aankhon ki gustakhiyaan' - Hum Dil De Chuke Sanam
Cine Award - Kalakar Award - 1999 'Aankhon ki gustakhiyaan' - Hum Dil De Chuke Sanam
Zee - Gold Bollywood Award - 1999 'Aankhon ki gustakhiyaan' - Hum Dil De Chuke Sanam
Stardust Award - 1999 'Aankhon ki gustakhiyaan' - Hum Dil De Chuke Sanam
Mohammed Rafi Memorial Award - 1999
Kalashree Award - 2000 'Chaand sitare' - Kaho Na Pyaar hai
Bollywood Music Award 'Artist of the Decade' - 2003
'Global Excellence Award' - 2004
Best Of Kumar Sanu:
Song Movie
Nazar Ke Saamne Jigar ke paas Aashiqui
Aankhon Se Toone Ghulam
Honton pe bas tera naam hai Yeh Dillagi
Chori chori jab nazarein mili Kareeb
Woh Ladki Bahut Yaad Aati Hai Qayamat
Tu pyaar hai kisi aur ka Dil Hai Ke Manta Nahin
Seene Mein Dil Hai Raju Ban Gaya Gentleman
Sanam Mere Humraaz Humraaz
Do Dil Mil Rahe Hain Pardes
Teri Umeed Tera Intezaar Deewana
Yeh dil kya kare Kaante
Aane Waala Kal Ek Sapna Phir Teri Kahaani Yaad Aayi
Tu Mile Dil Khile Criminal
Chaaha To Bahut Imtihaan
Jab koi baat bigad jaaye Jurm
Neend Churaayi Meri Ishq
Rimjim rimjim 1942 A Love Story
Tujhe Dekha Dilwale Dulhaniya Le Jayenge
Ek ladki ko dekha 1942 A Love Story
Tumhe Apna Banaane Ki Kasam Sadak
Der Se Hua Hum Ho Gaye Aap Ke
Aankh Hai Bhari Bhari Tum Se Achcha Kaun Hain
HIS SONGS IN SUPER STAR RAJESH KHANNA MOVIE :
Aa Ab Laut Chalen 1999
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